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The tranquility of Mars is disrupted by humans who want to conquer space, colonize the planet, and escape a doomed Earth.
Man, was a a distant shore, and the men spread upon it in wave... Each wave different, and each wave stronger. The Martian Chronicles Ray Bradbury is a storyteller without peer, a poet of the possible, and, indisputably, one of America's most beloved authors. In a much celebrated literary career that has spanned six decades, he has produced an astonishing body of work: unforgettable novels, including Fahrenheit 451 and Something Wicked This Way Comes; essays, theatrical works, screenplays and teleplays; The Illustrated Mein, Dandelion Wine, The October Country, and numerous other superb short story collections. But of all the dazzling stars in the vast Bradbury universe, none shines more luminous than these masterful chronicles of Earth's settlement of the fourth world from the sun. Bradbury's Mars is a place of hope, dreams and metaphor-of crystal pillars and fossil seas-where a fine dust settles on the great, empty cities of a silently destroyed civilization. It is here the invaders have come to despoil and commercialize, to grow and to learn -first a trickle, then a torrent, rushing from a world with no future toward a promise of tomorrow. The Earthman conquers Mars ... and then is conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race. Ray Bradbury's The Martian Chronicles is a classic work of twentieth-century literature whose extraordinary power and imagination remain undimmed by time's passage. In connected, chronological stories, a true grandmaster once again enthralls, delights and challenges us with his vision and his heart-starkly and stunningly exposing in brilliant spacelight our strength, our weakness, our folly, and our poignant humanity on a strange and breathtaking world where humanity does not belong.
Man, was a a distant shore, and the men spread upon it in wave... Each wave different, and each wave stronger. The Martian Chronicles Ray Bradbury is a storyteller without peer, a poet of the possible, and, indisputably, one of America's most beloved authors. In a much celebrated literary career that has spanned six decades, he has produced an astonishing body of work: unforgettable novels, including Fahrenheit 451 and Something Wicked This Way Comes; essays, theatrical works, screenplays and teleplays; The Illustrated Mein, Dandelion Wine, The October Country, and numerous other superb short story collections. But of all the dazzling stars in the vast Bradbury universe, none shines more luminous than these masterful chronicles of Earth's settlement of the fourth world from the sun. Bradbury's Mars is a place of hope, dreams and metaphor-of crystal pillars and fossil seas-where a fine dust settles on the great, empty cities of a silently destroyed civilization. It is here the invaders have come to despoil and commercialize, to grow and to learn -first a trickle, then a torrent, rushing from a world with no future toward a promise of tomorrow. The Earthman conquers Mars ... and then is conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race. Ray Bradbury's The Martian Chronicles is a classic work of twentieth-century literature whose extraordinary power and imagination remain undimmed by time's passage. In connected, chronological stories, a true grandmaster once again enthralls, delights and challenges us with his vision and his heart-starkly and stunningly exposing in brilliant spacelight our strength, our weakness, our folly, and our poignant humanity on a strange and breathtaking world where humanity does not belong.
Rendered in gorgeous, full-color art by Dennis Calero, Ray Bradbury's The Martian Chronicles: The Authorized Adaptation graphically translates fourteen of Bradbury's famous interconnected science-fiction stories, turning an unforgettable vision of man and Mars into an unforgettable work of art. The Earthmen came by the handful, then the hundreds, then the millions. They swept aside the majestic, dying Martian civilization to build their homes, shopping malls, and cities. Mars began as a place of boundless hopes and dreams, a planet to replace an Earth sinking into waste and war. It became a canvas for mankind's follies and darkest desires. Ultimately, the Earthmen who came to conquer the red-gold planet awoke to discover themselves conquered by Mars. Lulled by its ancient enchantments, the Earthmen learned, at terrible cost, to overcome their own humanity.
The crowd gathered to make a curious noise this cold grey morning before the scheduled Birth. They arrived in gleaming scarlet tumble-bugs and yellow plastic beetles, yawning and singing and ready. The Birth was a big thing for them.He stood alone up in his high office tower window, watching them with a sad impatience in his grey eyes. His name was William Stanley, president of the company that owned this building and all those other work-hangars down on the tarmac, and all that landing field stretching two miles off into the Jersey mists. William Stanley was thinking about the Birth.The Birth of what? Stanley's large, finely sculptured head felt heavier, older. Science, with a scalpel of intense flame would slash wide the skulls of engineers, chemists, mechanics in a titanic Caesarian, and out would come the Rocket!"Yezzir! Yezzir!" he heard the far-off, faint and raucous declarations of the vendors and hawkers. "Buy ya Rocket Toys! Buy ya Rocket Games! Rocket Pictures! Rocket soap! Rocket teethers for the tiny-tot! Rocket, Rocket, Rocket! Hey!"Shutting the open glassite frame before him, his thin lips drew tight. Morning after morning America sent her pilgrims to this shrine. They peered in over the translucent restraint barrier as if the Rocket were a caged beast.He saw one small girl drop her Rocket toy. It shattered, and was folded under by the moving crowd's feet."Mr. Stanley?""Uh? Oh, Captain Greenwald. Sorry. Forgot you were here." Stanley measured his slow, thoughtful steps to his clean-topped desk. "Captain," he sighed wearily, "you're looking at the unhappiest man alive." He looked at Greenwald across the desk. "That Rocket is the gift of a too-generous science to a civilization of adult-children who've fiddled with dynamite ever since Nobel invented it. They-"
A collection of three of Ray Bradbury’s finest science fiction novels: FAHRENHEIT 451, THE MARTIAN CHRONICLES and THE ILLUSTRATED MAN.
For more than sixty years, the imagination of Ray Bradbury has opened doors into remarkable places, ushering us across unexplored territories of the heart and mind while leading us inexorably toward a profound understanding of ourselves and the universe we inhabit. In this landmark volume, America's preeminent storyteller offers us one hundred treasures from alifetime of words and ideas -- tales that amaze, enthrall, and horrify; breathtaking journeys backward and forward in time; classic stories with the undiminished power to tantalize, mystify, elate, and move the reader to tears. Each small gem in the master's collection remains as dazzling as when it first appeared in print. There is magic in these pages: the wonders of interstellar flight, a conspiracy of insects, the early bloom of love in the warmth of August. Both the world of Ray Bradbury and its people are vivid and alive, as colorfully unique as a poker chip hand-painted by a brilliant artist or as warmly familiar as the well-used settings on a family's dining room table. In a poor man's desire for the stars, in the twisted night games of a hateful embalmer, in a magnificent fraud perpetrated to banish despair and repair a future, in a writer's wonderful death is the glowing proof of the timeless artistry of one of America's greatest living bards. The one hundred stories in this volume were chosen by Bradbury himself, and span a career that blossomed in the pulp magazines of the early 1940s and continues to flourish in the new millennium. Here are representatives of the legendary author's finest works of short fiction, including many that have not been republished for decades, all forever fresh and vital, evocative and immensely entertaining. This is Bradbury at his very best -- golden visions of tomorrow, poetic memories of yesterday, dark nightmares and glorious dreams -- a grand celebration of humankind, God's intricate yet poignantly fallible machineries of joy.
Language and literature teaching are a keystone in the age of STEM, especially when dealing with minority communities. Practical methodologies for language learning are essential for bridging the cultural gap. Teaching Language and Literature On and Off-Canon is a critical research publication that provides a multidisciplinary, multimodal, and heterogenous perspectives on the applications of language learning and teaching practices for commonly studied languages, such as Spanish, English, and French, and less-studied languages, such as Latin, Gaelic, and ancient Semitic languages. Highlighting topics such as language acquisition, artistic literature, and minority languages, this book is essential for language teachers, linguists, academicians, curriculum designers, policymakers, administrators, researchers, and students.
Four one-act plays. For contents, see Author Catalog.