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An up-close and personal account of the L.A. punk scene, told by those who were there, with 50 rare photos
Includes "Book club favorites reader's guide.
Published to accompany an exhibition held at the Museum of Contemporary Art, Los Angeles, Oct. 3, 2011-Feb. 13, 2012.
A complex, adult epic fantasy from a new Australian author ... original, dramatic, unputdownable ... Sierra has always battled to control her powers, but now her life and Isidro's depend on keeping her skills hidden from the Akharians as they draw closer to Demon's Spire. In the relics left by Ricalan's last great mage, Isidro hopes to find the knowledge Sierra needs to master her powers, but instead uncovers his own long-buried talent for magecraft. When Sierra's untrainable powers turn destructive, she has nowhere to turn for help except to the uncertain mercy of an old enemy. But what will Rasten do when she returns to his hands at last?
Please note: This is a companion version & not the original book. Sample Book Insights: #1 I would imagine Jim Morrison and Ray Manzarek or Otis Redding or Arthur Lee or Marvin Gaye and Tammi Terrell standing in the same spot, waiting for the world to catch up with them. I knew that we were unstoppable and had power. #2 There had been so many other nights when the roles were reversed and Exene and I were in the audience witnessing something new and exciting. The Screamers stretched heavy, black plastic across the entire front of the stage to obscure everything behind it, only to slit it open with a knife and begin their jagged, distorted performance.
Under the Big Black Sun explores the nascent Los Angeles punk rock movement and its evolution to hardcore punk as it's never been told before. John Doe of the legendary band X and co-author Tom DeSavia have woven together an enthralling story of the legendary West Coast scene from 1977-1982 by enlisting the voices of people who were there. The book shares chapter-length tales from the authors along with personal essays from famous (and infamous) players in the scene. Through interstitial commentary, John Doe "narrates" this journey through the land of film noir sunshine, Hollywood back alleys, and suburban sprawl. Illustrated with 50 rare photos, this is the story of the art that was born under the big black sun.
This sequel to Grammy-nominated bestseller Under the Big Black Sun continues the up-close and personal account of the L.A. punk scene—and includes fifty rare photos. Picking up where Under the Big Black Sun left off, More Fun in the New World explores the years 1982 to 1987, covering the dizzying pinnacle of L.A.'s punk rock movement as its stars took to the national—and often international—stage. Detailing the eventual splintering of punk into various sub-genres, the second volume of John Doe and Tom DeSavia's west coast punk history portrays the rich cultural diversity of the movement and its characters, the legacy of the scene, how it affected other art forms, and ultimately influenced mainstream pop culture. The book also pays tribute to many of the fallen soldiers of punk rock, the pioneers who left the world much too early but whose influence hasn't faded. As with Under the Big Black Sun, the book features stories of triumph, failure, stardom, addiction, recovery, and loss as told by the people who were influential in the scene, with a cohesive narrative from authors Doe and DeSavia. Along with many returning voices, More Fun in the New World weaves in the perspectives of musicians Henry Rollins, Fishbone, Billy Zoom, Mike Ness, Jane Weidlin, Keith Morris, Dave Alvin, Louis Pérez, Charlotte Caffey, Peter Case, Chip Kinman, Maria McKee, and Jack Grisham, among others. And renowned artist/illustrator Shepard Fairey, filmmaker Allison Anders, actor Tim Robbins, and pro-skater Tony Hawk each contribute chapters on punk's indelible influence on the artistic spirit. In addition to stories of success, the book also offers a cautionary tale of an art movement that directly inspired commercially diverse acts such as Green Day, Rancid, Red Hot Chili Peppers, Wilco, and Neko Case. Readers will find themselves rooting for the purists of punk juxtaposed with the MTV-dominating rock superstars of the time who flaunted a "born to do this, it couldn't be easier" attitude that continued to fuel the flames of new music. More Fun in the New World follows the progression of the first decade of L.A. punk, its conclusion, and its cultural rebirth.
font size="+1"OUT NOW: the second volume in the bestselling, exhilarating WWII treasure-hunt thriller series for fans of Dan Brown/font size *** RATED 5 STARS BY REAL READERS *** November 1941. Germany is about to win the war. Only one thing still separates the Nazis from a certain victory: they must find the three remaining all-powerful swastikas and reunite them with a fourth that is safely hidden away in Himmler's mountain stronghold. Churchill has no choice but to mobilize his best man, double agent Tristan Marcas, and employ the most risky techniques to beat them to it. It all comes to a showdown at a ball in Venice...
When you’re staring evil in the eye, don’t forget to watch your back . . . For the first time in forever, Jayné Heller’s life is making sense. Even if she routinely risks her life to destroy demonic parasites that prey on mortals, she now has friends, colleagues, a trusted lover, and newfound confidence in the mission she inherited from her wealthy, mysterious uncle. Her next job might just rob her of all of them. At Grace Memorial Hospital in Chicago, something is stirring. Patients are going AWOL and research subjects share the same sinister dreams. Half a century ago, something was buried under Grace in a terrible ritual, and it’s straining to be free. Jayné is primed to take on whatever’s about to be let loose. Yet the greatest danger now may not be the huge, unseen force lurking below, but the evil that has been hiding in plain sight all along—taking her ever closer to losing her body, her mind, and her soul. . . .
Damaged: Musicality and Race in Early American Punk is the first book-length portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. Drawing on musical analysis, archival research, and new interviews, Damaged provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era. Evan Rapport outlines the ways in which punk developed out of dramatic changes to America’s cities and suburbs in the postwar era, especially with respect to race. The musical styles that led to punk included transformations to blues resources, experimental visions of the American musical past, and bold reworkings of the rock-and-roll and rhythm-and-blues sounds of the late 1950s and early 1960s, revealing a historically oriented approach to rock that is strikingly different from the common myths and conceptions about punk. Following these approaches, punk itself reflected new versions of older exchanges between the US and the UK, the changing environments of American suburbs and cities, and a shift from the expressions of older baby boomers to that of younger musicians belonging to Generation X. Throughout the book, Rapport also explores the discourses and contradictory narratives of punk history, which are often in direct conflict with the world that is captured in historical documents and revealed through musical analysis.