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The author traces her life and marriage to Anthony Radziwill, President Kennedy's nephew, in an account that describes her work as a journalist, her friendship with JFK, Jr., and his wife, and her husband's struggle with terminal cancer.
A funny, poignant, and at times heartbreaking memoir about one mother and her love of beautiful objets — and how it ultimately proved destructive. Being left with a strand of even the highest quality milky-white pearls isn’t quite the same thing as pearls of wisdom to live by, as Karen von Hahn reveals in her memoir about her stylish and captivating mother, Susan — a mercurial, grandiose, Guerlain-and-vodka-soaked narcissist whose search for glamour and fulfillment through the acquisition and collection of beautiful things ultimately proved hollow. A tale of growing up in 1970s and 1980s Toronto in the fabulousness of a bourgeois Jew-ish family that valued panache over pragmatism and making a design statement over substance, von Hahn’s recollections of her dramatic and domineering mother are exemplified by the objects she held most dear: from a strand of prized pearls, to a Venetian mirror worthy of the palace of Versailles, to the silver satin sofas that were the epitome of her signature style. She also describes the misunderstandings and sometimes hurt and pain that come with being raised by her stunning, larger-than-life mother who in many ways embodied the flash-and-glam, high-flying, wealth-accumulating generation that gave birth to our modern-day material culture. Alternating between satire and sadness, von Hahn reconstructs the past through a series of exquisitely impressionistic memories, ultimately questioning the value of the things we hold dear and — after her complicated, yet impossible-to-forget mother is gone — what exactly remains.
Internationally acclaimed photographer Sally Mann offers a five-part meditation on mortality.
What Remains collects Christa Wolf's short fiction, from early work in the sixties to the widely debated title story, first published in Germany in 1990. Addressing a wide range of topics, from sexual politics to the nature of memory, these powerful and often very personal stories offer a fascinating introduction to Wolf's work. What Remains and Other Stories . . . is clear and farsighted. The eight heartfelt stories in the book show why she has been respected as a serious author since her 1968 novel, The Quest for Christa T. . . . Wolf uses her own experiences and observations to create universal themes about the controls upon human freedom.—Herbert Mitgang, New York Times Christa Wolf has set herself nothing less than the task of exploring what it is to be a conscious human being alive in a moment of history.—Mary Gordon, New York Times Book Review The simultaneous publication of these two volumes offers readers here a generous sampling of the short fiction, speeches and essays that Wolf has produced over the last three decades.—Mark Harman, Boston Globe
The national bestseller From the author of the bestselling More Beautiful Than Before comes an inspiring book about loss based on his most popular sermon. As the senior rabbi of one of the largest synagogues in the world, Steve Leder has learned over and over again the many ways death teaches us how to live and love more deeply by showing us not only what is gone but also the beauty of what remains. This inspiring and comforting book takes us on a journey through the experience of loss that is fundamental to everyone. Yet even after having sat beside thousands of deathbeds, Steve Leder the rabbi was not fully prepared for the loss of his own father. It was only then that Steve Leder the son truly learned how loss makes life beautiful by giving it meaning and touching us with love that we had not felt before. Enriched by Rabbi Leder's irreverence, vulnerability, and wicked sense of humor, this heartfelt narrative is filled with laughter and tears, the wisdom of millennia and modernity, and, most of all, an unfolding of the profound and simple truth that in loss we gain more than we ever imagined.
A study of the archival turn in contemporary German memory culture, drawing on recent memorials, documentaries, and prose narratives that engage with the material legacy of National Socialism and the Holocaust.
Winner of the 2020 Victor Turner Prize in Ethnographic Writing Nearly 1,600 Americans are still unaccounted for and presumed dead from the Vietnam War. These are the stories of those who mourn and continue to search for them. For many families the Vietnam War remains unsettled. Nearly 1,600 Americans—and more than 300,000 Vietnamese—involved in the conflict are still unaccounted for. In What Remains, Sarah E. Wagner tells the stories of America’s missing service members and the families and communities that continue to search for them. From the scientists who work to identify the dead using bits of bone unearthed in Vietnamese jungles to the relatives who press government officials to find the remains of their loved ones, Wagner introduces us to the men and women who seek to bring the missing back home. Through their experiences she examines the ongoing toll of America’s most fraught war. Every generation has known the uncertainties of war. Collective memorials, such as the Tomb of the Unknowns in Arlington National Cemetery, testify to the many service members who never return, their fates still unresolved. But advances in forensic science have provided new and powerful tools to identify the remains of the missing, often from the merest trace—a tooth or other fragment. These new techniques have enabled military experts to recover, repatriate, identify, and return the remains of lost service members. So promising are these scientific developments that they have raised the expectations of military families hoping to locate their missing. As Wagner shows, the possibility of such homecomings compels Americans to wrestle anew with their memories, as with the weight of their loved ones’ sacrifices, and to reevaluate what it means to wage war and die on behalf of the nation.
In 1980 four friends finish their a-levels and set out on a camping trip, a last hurrah before they split up for university, jobs and the real world. Paul, Janet, Nathan and Charlie all have dreams of how their lives will turn out. Paul is off to train as a teacher, Nathan to start work in a bank, Charlie to study archeology and Janet, well Janet's going to be a musician. But Paul has a secret. He's been dabbling in magic, and as the trip tests friendships and tempers begin to flare he casts his spells. Thirty years later nobody's life has turned out the way they planned and the friends have drifted apart. That is, until a drunken phone call sets in motion a chain of events leading Paul to revisit that summer under canvas and confront not just the choices he made but the impact they had. A little magic, it seems, can be a dangerous thing.
Death is not my friend, neither is it my enemy; it is my destiny. “Rupert Callender hope[s] to redefine the funeral.”—The Telegraph When he became an undertaker, Rupert Callender undertook to deal with the dead for the sake of the living. What Remains? is the brilliant, unforgettable story of the life and work of the world’s first punk undertaker—but it is also a book about ordinary, everyday humanity and our capacity to face death with courage and compassion. To say goodbye to the people we love in our own way. In becoming the world’s first “punk undertaker” and establishing the Green Funeral Company in Devon, UK, Ru Callender and his partner Claire challenged the stilted, traditional, structured world of the funeral industry; fusing what he had learned from his own deeply personal experiences with death, with the surprising and profound answers and raw emotion he discovered in rave culture and ritual magick. From his unresolved grief for his parents and his cultural ancestors to political and religious non- conformists, social outlaws, experimental pioneers, and acid house culture, Ru Callender has taken too an outsider “DIY” ethos to help people navigate grief and death. He has carried coffins across windswept beaches, sat in pubs with caskets on beer-stained tables, helped children fire flaming arrows into their father’s funeral pyre, turned modern occult rituals into performance art and, with the band members of KLF, is building the People’s Pyramid of bony bricks in Liverpool. What Remains? is a profound, deeply moving, and politically charged book that will change the way readers think about life, death, and the all-important end-of-life experience. “Death has shown me unimaginable horror, the unbreakable core of love and courage that lies at the heart of what it means to be human.”—Rupert Callender, from What Remains?
Combining photography and essay, presents a speculative portrait of a Jewish immigrant living out the end of his days in New York's midcentury mental health system.